For the most part, I'm over apocalyptic horror. Although classics like 28 Days Later along with the initial episodes from The Walking Dead proved enjoyable, the genre feels mostly depleted at this point. Even the much-awaited 28 Years Later has been sitting on my to-watch queue for months. But, Netflix's latest Southeast Asian zombie flick, The Elixir, managed to defy what I anticipated and proved remarkably enjoyable.
Excellent Pacing and Character Growth
One of the film's strongest strengths is its superb rhythm. It begins using a striking initial scene where a peaceful family gathering gets suddenly disrupted by a vehicle plows into the seating section. From the wreckage, a very zombie-like individual stumbles out and begins attacking the attendees. This intense scene is then succeeded by a flashback, giving viewers to observe the family before the tragedy struck.
In contrast to many undead movies, The Elixir truly allows viewers enough time to become acquainted with its main characters prior to the chaos ensues. There's Nes, a wife and mother with a former best friend, Karina, is now wed to her dad—an obviously uncomfortable situation. This has predictably led to a falling out among Nes and Karina. Then there's Nes' brother, Bang, who is kind-hearted but a bit inept socially, and who enjoys gaming alongside Nes' young son, Raihan. Her spouse, Rudi, seems to have lately been unfaithful to Nes. This household patriarch consists of her dad, who runs a popular herbal remedy company called Wani Waras, and who seems to care about only two aspects: his work and his marriage to Nes' former best friend. Needless to say, this gathering proves extremely strained.
Engaged in the Conflict
I found myself so engrossed in the household's issues along with their interpersonal drama that I nearly forgot this was a horror film—something that could seem like a negative, yet ultimately paid off. The Elixir dedicates a considerable portion of the film depicting us the identity of every relative represents, and how they contribute to the general turmoil. This emphasis on clashing traits allowed me to relate to the personalities sufficiently to be concerned for their fate—a rare accomplishment for this style which frequently presents individuals just to kill them off shortly afterwards. The Elixir avoids portraying its characters as flat, expendable casualties for an army of zombies to devour, thus it's a genuine surprise once events eventually deteriorate.
Evocative of Parasite
The opening sequences of the party and the multiple household exchanges actually bring to mind the film Parasite, a story which disguises itself as a K-Drama featuring slightly dark comedy before making an abrupt turn toward shocking ground. These early scenes aren't centered too heavily on humor as Parasite, but The Elixir nonetheless gives enough time to settle into its world prior to it gets upended.
Original Zombification Origin
The film additionally presents a quite intriguing explanation regarding the origin of the spreading transformation. Instead of a unintended lab leak or a type of biological weapon, the cause for this infectious condition stems from a new sample from Wani Waras natural medicines created by her dad. Although some background is provided something regarding how it started, it would have been better if the movie devoted additional focus on how Wani Waras went from a reputable supplier of natural treatments to creating a lethal potion which seems to contain an extremely infectious virus. Regardless of the limited background, the impact this affliction produces on humans is utterly repulsive, which I appreciate. The Elixir's undead prove quick, bizarre in appearance, and, maybe most disturbingly, constantly grinning. This represents a daring decision, but it succeeds. The Elixir's practical effects and computer graphics are also quite realistic, and are almost guaranteed to provoke a fear of holes.
Capable Characters
Even better compared to the gross-out moments is the cast themselves. Certainly, there are a few instances of dubious choices (like any typical zombie movie), but generally, Nes and her relatives are resourceful and quick-thinking. They also don't hesitate to kick an undead in the head, stab it using a farm tool, or hit it over the head with whatever heavy object is available instead of standing still like a deer in headlights while danger approaches.
Realistic Family Strike
The Elixir doesn't drop its themes on family conflict once individuals start turning into zombies, this proved a welcome authentic deviation from the "We don't get along|"We have issues, but you almost died I immediately pardon you for all your mistakes!" trope frequently used in apocalyptic movies. It's clear, Nes loves her relatives and cares about her husband, Rudi, but it's also clear she's still clinging to resentment regarding his infidelity in their relationship. Once the household becomes split up, they agree via telephone to meet up at a nearby location. But when Bang reveals he doesn't know how to get there, Nes expresses a massive amount of frustration toward Bang that's clearly been brewing for years. Nes isn't perfect, and her family—with all their imperfections—seem realistic and understandable since the movie doesn't try to push the notion that a near-death experience instantly cures familial strife. This makes those instances where these individuals do show gratitude for each other feel much more genuine.
Stereotypical Conclusion
Despite The Elixir's strong efforts to break new ground, the conclusion must be said to be a bit formulaic. The Elixir doesn't truly offering up any deep message about family or society, as well. Instead, it's primarily serving up frights. But they're successful scares, and since the movie allows every personality enough room to develop and doesn't punish them for having flaws, the result proves an engaging and entertaining
